masai-mara

Many places hold the title of the ‘Land of dreams’ from a perspective of offering good business opportunities, a wonderful career and a monetary standpoint. For me, Africa signifies the ‘Land of wildlife dreams’. Each time I embark on a journey to the varied wildlife destinations of the continent, I dream and try to visualise the kind of sightings and image making opportunities that I would love to encounter. With wildlife and the weather being as unpredictable as they are, most of them stay as dreams....

Here is the second instalment of the ‘Birding in Africa’ series. If you missed the first one, you can read it here - Birding in Africa - Part I As mentioned in the previous instalment, Africa is an amazingly diverse continent, very rich in its flora and fauna. It is home to more than 2300 species of bird life. In these posts, I try to focus on the Eastern part of Africa which is constituted of these countries – “Sudan, Eritrea, Ethiopia, Djibouti, Somalia, Kenya, Uganda, Rwanda, Burundi, Tanzania, Zambia, Mozambique, Malawi”....

Birding in Africa, now that is something not many people would have given a thought to. Apart from the rustic brilliance of Africa, the yearning to see the Big 5 (the Elephant, Cape buffalo, Lion, Rhino and the Leopard ) is what pulls most people to the wildlife parks and reserves of the continent. Very rightly so, these animals hold a charm and attraction of their own. However Africa is an amazingly diverse continent and rich in its bird life too....

As the year of 2018 comes to a close it is time reminisce, a customary look back at how the year was in terms of photography for me. The year began with the beautiful winged beauties of the Western Ghats on our bird photography workshop in Goa followed by the wonderful celestial event of Lunar Eclipse. This eclipse was the first I was able to sit through patiently, enjoy and capture in camera :-)...

As a nature photographer, I always love to work with the natural light as much as possible. There are a few exceptional situations, yes, like, when there is sheer lack of enough light ( working with macro subjects, more so, in the darkness of the night ) or when there is a need to creatively add in more light. Other than these, I always prefer working with natural light, that definitely, is the light from the sun....